English Translation

940 KERNMAYR: WOLKENREITERS PANOPTICUM SUPERVISION INSTANCE: FISHER / DÖHLER THE BENING FIELD The set design is the totality of scene and figurines and their manifold relationships between the spatial rest (scene) and that of each other. Timely (drama) due to the changeable and transformative factors: figurines, light, pro- The stage design is not an image in the usual sense: it hangs and movable decorative parts. is the active field of acting persons, spatial-real reason and framework for the moving play of humans. It must therefore form poetry from the ground plan: to grasp its essence, to become its inner and not from the crack. Dynamically visible expression to give the spell to Da Bhnenbid n Appearanceswanel - a-, into which it wants to force. Here: it is not - it is schemed! All the designs for the set are therefore only preliminary, all run counter to this sense, is bad - good but the reproduction of the real scene is insufficient. artless that fulfills it. Emil Preetorius IBSEN: GEPENSTER INSCENSION: SIEMS / LUBBERT from left to right: Wiese, Widmann, Ritter The recordings on the pre-t daae san saalich from the studio: Karl Drbohlav, Prague 16