English Translation

9fW DIEDREHBÜHNE FURNITIONS Carl Orff's oratory opera "Orfeo" was premiered at the Dresden State Opera and achieved a close impression. Under Karl Böhm's direction Arno Scheller berg, Margarete Teschemacher, Elisabeth Hö:- gen and Kurt Böhme were involved in the great success The comic opera "Kniesenack" by Carl Friedrich Pistor, which was premiered in Schwerin, means an enrichment of the play plan. The effective text book was written by Benno Rinow and Peter Andreas, who used the fairy tale "Höger up" by the Rostock poet Jo h n Brin ck m a n n as a reproach. The opera by the Kaun pupil Pistor captivated by its noble, folk music, which brought the Staatskapellmeister Ga h le n beck to hear. Max Geisenheyner's play "Blücher", a hymn to Prussian duty and fatherland love, received enthusiastic applause at the world premiere in Weimar. With his "Obrist Michael" and "Blaucher", Geisen- heyner has placed himself in the front row of our contemporary poets. The Weimar performance under W a l t e r Grünzig and with Nils Helmut Sandberg in the title role was awarded. Georg Schmückle's play "Heinrich IV., which opens up the old struggle between Rome and the Reich and warns about the tragedy of German discord, GENERALMUSIKDIRECTOR was born in the Württemberg State Theatre Stuttgart from the JOSEPH KEILBERTH and achieved a deep impression in the direction of Richar d Dorn- seiffs. GUIDE TO THE GERMAN PHILHARMONIC ORCHESTER IN PRAG Bernd Böhle's drama "The long day was a song for the fur hunters and their wives at the world premiere at the Wilhelmtheater in Magdeburg. Böhle, whose famous book "Theatertruppe Schedereit" has found general recognition, also proved to be a good stage poet, who deeply penetrates into the psychological backgrounds of the theatre's silent heroism of visiting people in the loneliness of the Polar Winter. Friedrich Schwark's direction did their own for the good the noble success of the performance. Lippert "Madame Kegel's Secret", a "Comedy from World History" by Joachim Zimmermann, was premiered in Dresden's Schauspielhause. Zimmerman uses the history of Regensburg's artisanal daughter Barbara Blumberger, whose relations with Karl V offer the RESTAURANT· BUFFET outer framework of the plot. Barbara Blumberger PRAGI., AM GRABEN 31 is the "Madame Kegel", and through this personal union the comedy becomes almost a tragedy. The director IN THE NAHE DES PULVERTURMES Karl Hans Böhm helped the historian Zimmermann with regard to the stage effectiveness, so that a performance recorded by the audience by chance was the result. If, as a result of the strong demand, an article is out of print in the usual business, it will be purchased in a few days' time. If difficulties arise, please contact: L. Leichner, Theater-Parfumerie, Berlin SW 68, Schützenstraße 31. 17