English Translation

In the end, "a woman who knows life" confesses the murder, and then under the prayers of a young theo- logy candidate who wants to get to know life, she breathes out her dizzy soul. In the supporting roles: Wilhelm Groth it passionately seized Florian, Edith Wien s hearty Steffi, Rudolf Stadler's giant-like cloud rider and Eva Eras' unleafed camelliad lady. "The Alpenkönig and the Menschen-fünd d", Ferdinand Raimund's romantic - comical game, inspired the audience to consecrate the new chamber games by a performance in which the treacherous figure and natural gestures met in the double antlitz of the Rappelkopf and the ruler of the spirits. Max Heinrich Fisehrer's production radiated the same naive joy at the colourful event as the stage designs of Frank Sehrultes and the old yet still young music of Wenzel Müfle. Albert Johannes unfolded as a rapper copt cin a multifaceted image of the human enemy, most cheerfully secundated by the hilarious Habakkuk Rudolf Stadlers. Rappelkopf's return to the community - what closeness of time in this metamorphosis of the hero from the distrustful distrust of the son to the useful member of society! was accomplished in the most natural form, true to the words of Grillparzer, that the task of art lies not in the idea, but only in the revival of the idea. When at the end of the war scene of the human soul smoothed to a peaceful smile, on this side and beyond the ramp the joy of the first battle won in the new house triumphed. BILLINGER: THE HEXE OF PASSAU Friedrich W. Herzog INSZENIERUNG: SIEMS/ LUBBERT 7.1 on top image: Mittelhaus, Klas 15