English Translation

9ba 3 SCHILLER: DON KARLOS INZENZENIERUNG: WALLECK /SCHULTES Be n et in male attitude (almost to Tellheim- impressively framed Hanno Lübberts stage moderate) Ferdinand no longer embodied the Bedin- bilder the play, which brings in the court scene Gerhard unproportioned self-assertion. Albert felt the atmosphere of a lifetime lived in the At-Joh a n n it drew the Vicar General as a fanatical mosphere of the court. Maria S ch a n d a was an an- Jesuit. Also for Ibsen's "Spooky Lady Milford had longing, while Heinz Kl e v e n o w Lüb b ert designed contemporary pictures and costumes, which increased the worm to Janus-headed background. The cast of the Hauptrol-Gemeinschaft gave the still immediately touching work a lot of im.,Don Karlos". She directed the drama lea with Peter Widmann's Posa, Maria Schanda's in the chamber plays on a muted tone - Elisabeth, Marga Klas' Eboli, Heinz Klevenov's, who, due to his tension, completely scared Alba, Julius Bennet's Karlos and Albert Johan terte. The direction of the actors was so over and over again Domingo a full sound with tragic basics that the surviving problem of the drama was accommodating behind the authenticity of the performance. Edith Wiese's wife Alwing, Peter Widmann's Os- Richard Billinger's "Hexevon Passau- er- wald, Gerhard Ritter's Pastor Manders, Albert Jo- lived in the production of Friedrich Siem s a hannes' Engstrand and Marga Klas' Regine gave performance of oppressive density. The drama is an example of exemplary ensemble art, which was played for the first time in the new version, soon firing, soon restraining double power of the game - which was now carried in four closed acts the event leader to a summit achievement. The baroque objectivity of the language, the moritic play from past days "Wol- which suddenly jumps into razor-sharp dialectics, Kenreiter's Panoptikum" received its existence has remained more concentrated than the episode series of "Urfas- Die Première von Hans Gustl Kerrm a yrs sung". And this time, the militant peasant people, who are justified only by the comedianically grateful themselves without leadership and aim against the oppressors rendering in the production of Max Heinrich, are putting significant emphasis on it. Fis anyway. The author's spokesman is the ex- Marga Kl a s in the title role had the pure piety caller Florian, an uprooted and inspired by fate in the voice and in the animated eye, which reflected the rushed nature, reflected by the unconditional love of the whole inner sun of this delicate figure. Wolkenreiter's daughter Steffi again bent Willy Ha h n s stage music played around her appearance. To the visitors the guild of the artists considers as a comedian with Bachian passion sounds. Very as an outsider. When a murder happens in the neighbourhood, 14