English Translation

Dunkeirot auf Das Ganz is held in bright light colours, under which white prevails; as well as the changing passageway and the cash register and wardrobe rooms. On the walls of the auditorium the equipment manager of the Deutsche Theater, Frank Schultes, who had the supervision of the entire new building (construction manager: architect Schicketanz), in 7. Murals, as it were, perpetuate the you, whose good spirit is to reign in these neven spaces. They are scenes of masterpieces of the Kam- merspiel literature. Nestroy speaks through his. "Lumpazivagabundus, Raimund by "Alpine King and Enemy of Man", Heinrich von Kleist by "Cer-broken Krug", Goldoni by "Derner zwei Herren", Shakespeare by"What you want", Moliere by "Tartuffe", and Gogol by "Revisor" to us. With this the game plan of the chamber games KAMMERSPIELE/WANDELGANG is indicated: to be a caretaker of the classical cheerful muse, as far as it is style and space. Here the dialogue of the game of subdued frames of this theater corresponds. In addition, the paths on the boards are much shorter, the Wir- modern comedies and pleasure games. The plan for 1940/41, apart from the mentioned Raimund power of production of the language, even though it is quiet and Ibsen's "phantoms as an opening, a small sound, touches more directly and originally. All East Moravian preciousness with music "Brillants from will be found on a common stylish level. Vienna" by Lessen Steinbrecher, as world premieres Every superficial, loud and external tone will be the comedy of the Viennese author Rudolf Kremser "Play fades away. The structure of poetry becomes more visible with the fire, a delightful Capriccio from the time of the congress and the pleasure play "Becoming Man Without, than in a theater of great dimensions. The memory" of the native writer Albert small accents can be masterfully set, comma. The good European comedy is also in dialogue, in dialect, in volume, in gesture, Tirso de Molina, Lopé de Vega, Holberg, Gogol and others in walking and standing. Here the actor can represent. show quite what he can do. In such an intimate ensemble guest performance of well-known stages, dance evenings theater forces everything to internalization and contemplation, and chamber concerts are envisaged. and real theatre is reflection, reflection on the performance style that the work of the chamber-higher dignity of humanity and on the eternal play determines the greatness and character of the myth of the people. RAIMUND: THE ALPENKÖNIG AND THE HUMAN FEIND INSTANCE: FISHERIES/SCHULTES 11