English Translation

95a SCHILLER: CABAL AND LOVE INSCENSION: WALLECK SCHULTES Festicher Start of the 1940-41 season SIX NEW CENTERS IN A WEEK The cultural and artistic significance was similar. The pulse of the Prague stage hastily beats to recognize the work of the German Theatre in Prague, because it must be known in only five performances that today two German stages, of a play, are exhausting and, without being exhausted, plunge into ever new tasks. After a generous conversion into an intimate The Theaterfestwoche, which transformed the new season jewelry box "Kammerspiele", about 1940 41 with six new productions introduced, stood over sixteen Czech theatres tradition and in the sign of a reckless and enthusiastic one-present of German art to preserve. Culture promoters and mediators for the Germans in Böhsetz, who also did not fail the external success. The participation of the Germans in their theatre is to be men and Moravia, is the most prominent task of the Prague German Theatre, to which in the foreseeable beyond measure great, which emerges already from the high number of stammers, which in any case, as a third permanent stage, will step up the "German Opera Gradometer for a stage management" which today for the symphony concerts brought trust of the visitors. General of the German Philharmonic Orchestra and representative guest performances of German opera stages the permanent director Oskar W alle ck himself staged in the Festwoche Schiller's "Cabal and Love" and gave away a space that was well tuned. "Don Karlos. Both productions together General Intendant Oskar W all e ck has been a baroque pathos that unfolded in the massive and commissioned order to develop the German theatres in Prague into precious stage designs by Frank Sehuultes an exemplary model stage without equal splendour. In a broad layout let and expanded, solved in a surprisingly short time. Walleck the scenes play out, clearly in the linguistic This success, however, bears witness to the eagerness to work out, which gave the poetic word all the freedom of a play community, which with never-ending unfolding. In "Cabal and Love" the intensity of the work was ready to serve. So Edith Heerdegen an extraordinary Luise, who in the last season brought the play 34 new not even from the beginning with the crown of martyrs. The playwright Walter Gilbricht, over the boards very much. She was at first unpretentious, whose "Gallwespe" was recently premiered in Prague, mercies young and girlish, and then has grown up too tragically with a racing car aptly as she was of the love of Julius 12