English Translation

94 Personality Desireable is the construction of the game - so we. played? Works that guide the spiritual plan more safely than those brain-worked need of the audience correspond.Awe of constructions. the inherited heritage, daily needs and once- With one time, relationships in-feeling promotion of the coming, these three fak- nerhali, will open up the alternative, which are fruitful, because tors best mmea the play plan of the theater. They will correspond to the essence of the theatre. One will give works of the past, the present and to the tragedy the Satyr play follow. One of the future. What are there: Classics, pieces become conscious of the timely folk play the posse, the kainter of contemporary authors and the products Teaching and stirring trend piece the drama of the emerging young generation. Goethe has always opposed each other. Because one knows that once in a conversation with Eckermann his attitude theater as a "color reflection" real life specifies to the play plan, as follows: "I did not see subject to law of opposition and his own magnificent decorations and a shiny wardrobe, problems only in knowledge of this his double nature but I looked at good pieces. From tragedy to solve. Let us strive for the opposite to the posse, every genre was right for me; but a. piece of corrosive.nun tragedy and comedy, Apollo and Diony- had to be something to find grace. It had to call great sos, "opera seria" or "operas buffa" . Powerful and capable, cheerful and graziós, but on all cases one ultimately does not forget that the reality of being healthy and having a certain core. All available possibilities a not too subservient- sick, weak, wine and sentimental, central role in building up the repertoire plays. It is meaningless, as well as everything terrible, disgusting and the good custom, from any literary ambitions injured was once and for all excluded; I would have feared to announce the performance of works for which actors and audiences would have spoiled actors in order to interpret the stage in question. Through the good pieces, however, I raised the or technical possibilities to lack. "Wallenstein" actors. Because the study of the noble requires the outstanding character actor, the continuous exercise of the Fine Wagnerian musical drama is only possible in the association had to be necessary from a human being, nature with a first-class technical apparatus. What not let down, do something". EMIL PREETORIUS: DRAFT TO WAGNER'S "SIEGFRIED" / INSCENSION: OSKAR WALLECK