English Translation

EMIL PREETORIUS: DRAFT TO WAGNER's "GÖTTERDÄMMERUNG" / INSCENSION: OSKAR WALLEC are the same. But the reason for this lies very deep, he wur- unbroken re-enactment series of the royal dramas of zelt in the essence of all theatre plays. Shakespeare. In practice, this years of living stage art fell asleep, by the way, organically agonizing attempt, thorn-roasted by opposites. The double antlitz that striped the spindle of the time, before it even shapes only tragic and funny mask that half might have mastered his pendulum. Pendulum-like ejective events and not the "Richard III." remained, especially since a suitable performer stretch bed of a in dramaturgical monk's cell con- for the title role, constructed cash by the magnet "idea". Where the alternative — we call such effort. Before the complete consequence of which it is law for this time tragedy comedy — but other royal dramas must strike rightly the all monistic unity striving of the Uebel er- audience. Not only because it shows in view of the considerable. The stage becomes more confused by its many-aesthetic differences of levels, which in his name form only a "unit" aspire to him: the Q ua Shakespeares should be done, more confused lity of their achievements. Or - in a different form than promoted, reacted with passive resistance, but rather languished - in the necessary change of appearance, especially because this abundance of remote historical material — on several evenings offered by living theatres can only be preserved or preserved: the format of the level. So - an impulsively demanded need for change- not a pale unity of the point of view as it must effect lung. And thus already e in mo- in the above quoted keywords is striped to the expression of the fertile schedule design. They move — that cannot be done often enough, but rather repeat the alternative in the broadest sense — in extremes, that it is consciously different — as far as one is honest — in the design of the so-called, it pays homage to that principle of the Wechsel, play plan. And it is not the deception in which we are allowed to recognize a law of life. It testes, if the formed taste largely takes account of its heterogeneous directions, i.e. an aesthetically desired one- The audience does not like it - "for the evil is left over. An artistically oriented one loves the new ...- - with a moody woman