English Translation

15 page 6 of the letter dated 13. 1. 42 concerning: keyword "Czech Republic". (1824 Leitomisschl, + l884 Prague) and Anton Dvorák (hhau- sen an der Vltava, +l9o4 Prague), to whom the work Zae Ribich (i850 - l900) ranks worthyly, called into life an important ground-standing clay art of its own imprint, which, however, in its valuable testimonies does not leave the borders of the Great German cultural circle. Smetana, who comes from the New German school, Dvorak, who is based on Beethoven, Schubert and Brahms, as well as Fibich, who joins R. Wagner, created organic further trainings of their German role models. Characteristic for Czech music since this high blossom is also their preference. for Kammermu- sik, which she developed in close contact with German patterns and which belongs to the iron structure of the German music care, as at all the works czech. Composers, as far as they penetrated the Bohemian-Moravian borders, found the way into the world through German mediation. Younger masters became known: the Moravian Leos Janaček / -tschek; 1854 - 1928 /. J.B. Förster /*l870 also Oskar Nedbal (1874 - 1930; operetta "Polenblut"/. In addition: Otakar Ostrčil /-chil; 1879 - 1935/, Rudolf Karel /+l880 Pilsen/, the Moravians Jaroslav Kricka /Kschitschka;l882 Keltsch/ and Emil Axman / 1887 Ratais/Boleslav Vomacka / 18 87 Jungbunzlau/ Bohuslav Martinu (<l89o Politschka/, Karel Jirak /* l89l Prag/, Moravians Yaroslav Kvapil /*l892 Freistadtl/ and Alois Haba 893 Wisowitz/. J. Weinberger (Opera "Schwaanda, the bagpiper"/ is Jude. Continuation cf. Flag. .../#1859/ and the Czech music of the present strongly influential Josef Suk /l874 - l934/ and Vitezslav Novák .... Heil Hitler!