English Translation

Page 5 of the letter dated 13.1 concerning: keyword "Czech". Also in the Baroque painters, the txekixk historical tendencies should be pointed out, in particular among the painters Brandl and Reiner, who, although they are purely German artists, were also stamped on Czechs. In the art of the XiX. In the 19th century, it might be said that no major public monument in front of l850 was worked by a Czech. The section on Czech music is made l.) very sloppy, the place names are sometimes wrong; while insignificant composers are provided with data, this information is missing from Sme-tana and Dvorak etc. Haba is not a Jew. The literary contribution of the Czech clergyman Orel, which was published in a Jewish manual, probably is not in place. 2.) The article in the political tendency seems to be completely missing today. He takes almost against the German music Stellüng It can be assumed that he goes back to the historical representation of the Ju- den Steinhard. Our editor has therefore written the whole thing again: the music of the music- gifted T., since it can be traced into monuments, is at all times classified into the image of German music culture. Occasional influences by the sound art of the European West and the South also experienced it through German mediation. The V o l k s l i e d shows indeed allg. Slavic impact, e.g. in its untimeliness and falling rhythms, however, no deeper Slavic peculiarity and no very own invention. From Germany along with the melody (mainly from the l8th century) also often the textl. accusations, bes. the balladstoffe. The basic character of the cschech. Volksliedes is mainly heated and mobile, without any hints of pre- or early Christian melody formation and tonality. First the K u n s t m u s i k , but not yet the Bohuslav Czernohorsky (b. 1684 Neuenburg an der Elbe, + 1790 Prague), who screamed in the German-Italian Baroque style, but the two great masters Friedrich Sam na