English Translation

12 pebbles and rougher pie. wood and other knowes, which you break the ligament of mud. When you finally get your mud properly- says -- it starts with magic. Indeed -- you wait for magic and you are disappointed -- man. You only have to see the essence and final form, you have to jump through the whole slow process from mud to deco-shape weight to be amazed if someone puts these two things next to you and exclaims: "This is one thing... Then maybe you would whisper unbelievably: Magic... ♪ But look.li, you don't talk about magic, you praise only the cleverness of the moz- ku, who came to this genius iednodu- chou know ♪ ♪ and warmed yourself up, in the skull of the human dūmysl, alone on the fire of his glory... âTMa Potter's Circle, muddy, flip-fing, that iso person, performing in the first act. They slap a piece in a mud tub, uloupnon .just a rake from the eye, slap it on a pot-pane crust, it goes into a crazy turn, deft fingers to here, graze there, mucking there, because now the finished mule pie with the largest it is not just mud - it gets determined- aspora place embeds into an electric thicker form, it takes up to the height, until the skillful fingers allow it to go up and then the furnace, where it actually cools off, where the photo Kafr aení or the mud. It's already raw vase. Ted only her clothes will come. The first burning of pottery and ceramic. the products in the oven is relatively easy. Most of the products must be provided with frosting or .glasurou". The powder is poured or soaked in a tub with bleached glass powder - which is allowed to dry on it. Then it comes back to the furnace, where the glass powder melts and spills uniformly throughout the surface. Today's glazes on modern Refundable Fingers, Potter's Crack and from the mud the club's mud" ceramic are each in itself the original and the top ceramic germs of the charming ceramic production of today. It is a zashuhouu fire, or it is never possible to achieve thestein shade of teehto polín. At this stage the craft ends, even if vübcc Meziremeslem is controversial, if ceramics is itself art or craft, and begins art. Ceramics without painting is not really conceivable today. Vu and now, when you see what everything had to be gathered together so that the metaphor of mud in a shiny painted smooth vase or shine and the art light plate was so amazing ©tvd , that you could talk about some magic. They wouldn't get the world far. Mo. derní enchantment is called work and art - and it connects them together with a joke. In ceramic it came together to a degree high. MOTYL BALLS AND BLATIVE KUKLY Ivo W OUDłi teach us that in the very simplest things around Seria's work there is an end. us is hidden the embryo of great things to come. The experience of it almost on- malir with so much skill- it testifies. How many times have you, man, always dissatisfied. them murmuring and angry, full of resistance kicked into a pile of cuddly mud, into which your foot with unspeakable pleasure fell all the way to the ankles, not looking at it. that you in no. enough prosciviousness provided it with a suede shoe and a leg of the most mekei wool? And Ko-Ouśko, you have to be careful and in pious wonder turned the colourful creation of ceramic in the hand of techniques, tempting with the same smooth, gentlely smooth surface as the shape, wrinkled fingers more skillfully than yours? You see, and nothing came to mind. Even the childhood reminiscence, which willingly impressed you in the eyes of the mental one, when the physical one was so disgusted with disgusting mud, countless boulders and formics, which once your spirit, watered by fantasies, then from this disgustingly ugly ugliness, did not charm you. leads you to that connecting bridge between the sticky obstacle of the roads and the clean glowing products of artistic kers- mika. And yet only mud. The basis of the pottery work is no less than a cuddle with the clay, actually with the cozvolněným blá- tem. The more cuddly, primordial clay - the more suitable for the potter's over-creating hands. In large ponds, puff it up and mixes it up, picks it up The first time the burnt vessel goes into the spruce with a sprucing glass. The kierý after drying in the furnace melts to uniform cover the entire surface 153 SVETOZOR-13