STATE SECRETARY FOR THE RUSSIAN PROTECTOR IN THINGS AND IN MORAVA, PRAGUE, inv. 2593, sig. 109-12/241

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English Translation

12a IF THE SYMPHONIC FILM DRAM FROM E OLD guards of mature actors, the Luprainist chose a composer of Nor-French film, who was known not only for himself.Always next to Raim, he was privileged to me by the enormously expanded military status of the Parisian counterpart of marches, but also by the more extensive compositions of Emil Jannings, Werner Krauss and opera and symphonic. In this fil-Heinrich Georg - Harry Baur. he should be left the main word In the film, especially by sound, he created music and not only in the function of the sound Baur countless psychologically interested - scenes. This is evident from the recent node, which profoundly and convincing Bertram's statement that the spoken role of the acting experience is mostly about to be pushed by zeela into the background, to the unforgettable proievüm filmo- and that the whole film will not cover more than 500 of the actors. Therefore, this actor will certainly have up to 600 words of spoken dialogues. he deserved an invitation to Berlin, where he lost his entire life as a mar-man in the new company of director Hans by searching for solid support in the quiet Bertram produced by Tohisa ©Sympho-marriage and later in the rush of emotional life" really rare opportunities for the infatuation of temporary disharmonics - to develop into the breadth and depth of rare cohabitation with the age of a rare mistress - the gift of his acting art. Harry koou, listens like a lost old man in Za-Baur, joined Berli's work on a fil- shoved corner of the concert hall in a row to him, who is his whole ob- anonymous viewer's own sy-squeak. It's a primordial attempt to create a nicical elephant. which postunra his distinctive film symphonic poems, based on the laws of similar záko- nám musical compositions. In German film production, the musical film, like almost everywhere else, did not stop at the eternal rehabilitation of operatic or revolutionary manners, although it was in the light genre of musical spectacles that the Fissite film was artificially made more than once by the post-rogue results (see films by Willy Forst, Gez von Bolvary and j.), so the first performance by Harry Baura in German as for example did not fear director Leo. police Hainisch start his Mozart movie ©Mozart's journey to Prague on the famous chamber composition of this compo- nisty ©Little Night Music", the director Herbert Maisch plans to go back to Ber.