STÁTNÍ TAJEMNÍK U ŘÍŠSKÉHO PROTEKTORA V ČECHÁCH A NA MORAVĚ, PRAHA, inv. 1704, sig. 109-4/1459 Page 19 · 19 of 63
STATE SECRETARY FOR THE RUSSIAN PROTECTOR IN THINGS AND IN MORAVA, PRAGUE, inv. 1704, sig. 109-4/1459
English Translation
- 3 - 12 only spoiled by words. Moreover, since the reason for the creation of the above mentioned works is mostly unknown, a description must be limited only to general mu- sical references. The first three creations to be heard belong to the Salzburg (second) epoch. The unworld, whose Mozart so absolutely needed for his work, is thus given by the Salzburg Rococo Circle. In the middle is the courtly representation, because Mozart was then prince-bishopial Kapellmeister. Even though these works originate from the Rococo era, Mozart is already the overcomer of this style, the feeling of nature and the closeness of nature of a Haydn and Beethoven did not grasp Mozart so deeply, but he has succeeded in portraying the psychic event in the individual. But it is precisely through this ability that he has overcome the taddling and chatting of Rococo. .The works that matured in Salzburg are particularly noticeable because of their crowded wealth of thought. Since the priest did not like to stand at the altar for a long time, Mozart was forced to calculate the masses that he composed at that time for a maximum of three-quarters of an hour of performance. So it happened that the works created at the same time are also concentrated on a minimum measure. They are varied, macfhmal up to lo Sützen. The focus is on the dance set, the so-called menuet. Mozart is still there in it - 4 -