STÁTNÍ TAJEMNÍK U ŘÍŠSKÉHO PROTEKTORA V ČECHÁCH A NA MORAVĚ, PRAHA, inv. 1704, sig. 109-4/1459 Page 18 · 18 of 63
STATE SECRETARY FOR THE RUSSIAN PROTECTOR IN THINGS AND IN MORAVA, PRAGUE, inv. 1704, sig. 109-4/1459
English Translation
1a - 2 - begins to write works against the Romanesque galantry. He spends the second epoch mainly in Salzburg. It lasts until the year l78l and is only interrupted by the Parisian journey of the years l777-78. The time before this journey is still under the influence of world music, but already home music culture begins to grow up in him. The second section of the Salzburg period clearly reveals the disappointment of Paris, which led Mozart to a quiet retreat and to the last maturation. The third epoch, which comprises the last third of the master's overall life (up to l79l). He verbinds this time as well as Haydn as a freelance composer in Vienna. The following works will be heard at the Mozart memorial Bertramhof: Symphony C major (Köchel-Verzeichnis - K.V. 200) Bassoon concert B major ( K. V. 19l) Serenade (Notturno) for four orchestras (K. V.2.86) Six German dances (k. V.509) Serenade "Kleine Nachtmusik" (KV. 525). Mozart's work is not like Liszt's programmatic work. It is therefore not a matter of subverting certain thoughts, a so-called program, to the individual works, even the music of Mozart, as Grill parzer says, fits all words. It would be added to Schopenhauer 15/10 qe md dd h