English Translation

19 VÖLKIAN BEOBACHTER le Deutsches Theaterfestwoche in Prag From Our Special Rapporteur Friedrich W. Herzog, sent to Prague In order to recognize the greatness and importance of the culturally political Lady Milford, while Heinz Kleve=tisches Arbeit der deutschen Theater in Praga n o w den Wurm zu Janusköpflichter Hintergrün- zen, one has to know that today two things increased. oBen German stages, known as the "Ständetheater" In the "Don Carlos" (Don Carlos), gave the composition of the A ihe Shauspielhaus and the Kam m er main roles with Peter Widmann (Posa), Maria Frei - Sun piele, sixteen ischechische Theatern gegen- icht Schanda (Elisabeth), Marga Klas (Eboli), ennd over tradition and present of the German üiber Heinz Klevenow (Alba), Julius Bennet (Car= to preserve art. Culture bearers and go) and Albert Johannes (Domingo) one the citen rmittel for the Germans in Bohemia and full sound with tragic basic chords. who to be Moravian is the edition of the Prague divides for German theatre. In the foreseeable future Richard Billinger's "Sere von Passau" will perform the "German Experienced in the Production of Friedrich Spiz dete Opernhaus" as the third stage, which today is a performance of oppressive arbeif in the symphony concerts of the German Philharmonic Density. The play was given for the first time ever to the orchestra and guest performances the festive in the new version, which instead of the in right and Naum abgeht. earlier in nine images flaunting action performances itter Gencralintendant Oskar Walled has concentrated the now in four idiosyncratic acts the action orgen, de. Marga Klas in the title role was always commissioned in the Thm. the German theatre and Br in Prague to an exemplary, had the pure piety in the voice in the utative pattern stage developed, in the over and in the animated eye, which solved the whole sun thereby in a short time. That this succeeded. mirrored this figure. Willy Hahn's Büh= Nachwuc eich dgt für die Einsehenfreundlichkeit einer Spiel. nenmusit played around the figure with Bachische lichkeilem in common, which served with never less intense passion sounds. Very one-drudsvollich umrahm- Besonderd däre value. Hanno Lübbert's stage sets brought the Gaue to The Echau Play in the laid game Game. in the G the time 34 Neuinszenterungen. The playwright For I bsen's "Gespenster", Lüblärst aden Walter Gilbricht, whose "Gallwespe" was recently designed in bert contemporary pictures and costumes, was premièred in anze Prag, Diefes Theater compared the n in!, which is still immediately moving, with a racing car. The Pulse work gave a lot of mood. Siems's direction as serious the Prague stage hastily beat, because jie must have the drama in the chamber plays on one in question the jich in each case tuned only in jünf performances of a muted tone, which exhausts through his play of the Pla Gchau and, without exhausting to strained breath completely erjchüttet. The with Iug rèin, falls into ever new issues. The leadership of the actors was so superior, inzu and Audh stood the new season 1940/ti. in the oM qun that the overlived problematite of the drama- sign of a rude and enthusiastic intro step behind the authenticity of the performance. With u er- er- dens sags, to which also the external success does not fail Edith Wiese's wife Alwing, Peter Wid- some remained. The participation of the Germans in their ont- manns Dswald, Gerhard Ritter's Pastor Hungarian Theatre is huge, which is already Manders. Albert Johannes's Engstrand and nen deut from the high number of regular tenants strength of the ich Marga Klas as Regine gave an example, which in any case a degree mesmer for ballipiele means the exemplary ensemble art, which to a Gip= the Ver= of a stage direction was carried valuable to the Fel performance. uen the Befucher. The world premiere of Hans Gustl Kern= Exam alle selbst staged in the festive opening week of the Deutsche Theater Shillers ma yrs moritatenhafte Spiel from vergan- 1d and nda genen Tagen "Molkenreiters Panoptikum" emp- tinent n Gabale und Liebe" and "Don Car. Ats two productions shared eska comically grateful rendition in the Swedish keynote note was a barodic pathos to know about swimming in the massive and precious staging of Max Heinrich Fischer. a splendour for pre-angek stage bitders by Frank Shultes Ferdinand Rai- was all the more gratifying that he lacked an unmatched unfolded. In a wide range of settings, mun d s romantic-comish play "The Walled played out the scenes, whose effect is closest to the king of the Alps and the enemy of men", each of which appeared to the more or less strong per-magic spook on the stage of the Kammerspiele Gesönlichkeitwert of the performers. In "Cabale and Love" Edith Heer= was always like an extraordinary Luise, who once captivated us by jeine gejunde naivety. Moreover, the rise did not start from the beginning with the crown of the Märtnrer, and the boards went on. She gave herself young, guided in Albert Johannes a rapper's head of a virtuoso ability to change. natural and unconcerned, but then ter- His return to the community — which grow up to tragic size, as fie of the love of Julius Bennet in male time in this metamorphosis of the. Heroes 13 Attitude (already Tellheim-like) embody= of the fearful, distrustful spousal Seidle, Ferdinand no longer referred to the necessary self-member to the nocturnal member of the Fellschaft! - hall a hen allegation. The atmosphere of feeling was carried out in the most natural form, true to the taste of a lived time lived in the aimosphere to the words of Grillparzer, that is not in which is fine to the court. Maria Schanda was a respectable idea, but only in her invigoration which lies the bishe gop task of art. three according to