STÁTNÍ TAJEMNÍK U ŘÍŠSKÉHO PROTEKTORA V ČECHÁCH A NA MORAVĚ, PRAHA, inv. 1648, sig. 109-4/1403 Page 65 · 65 of 136
STATE SECRETARY FOR THE RUSSIAN PROTECTOR IN THINGS AND IN MORAVA, PRAGUE, inv. 1648, sig. 109-4/1403
English Translation
Sammo ocer auvo :Jcer Scjlen 1940: Gachsen. 09 German Theatre Art in Prague Bon to our rapporteur Prague, 14.10. 1 The opening week of the German Theatre in Prague, which has already been briefly reported on its special events, revealed the growing possibilities of German theatre art very comprehensively. The traditional buildings of the Stabentheater and the Deut- chen Opernhaus offer in themselves already representative utt- Boraussezungen; in addition, jeğt joined the new "R a m m er- dem fpiele" as an intimate stage. While the expansion of an opera of its own is aimed at the beginning of 9100 of the next season, Rög- has already found a firm form in the stand theatre. The two Schiller-Jnszendant Bel Oskar W aIle d ("Cabale and Love" and "Don Carlos") were characteristic for this. Dramaturgically committed to the work with Iribie. They deciphered broad and important his mental plan, gave effect to the word through a broad-based muted play. and play space, whereby, of course, the tension was sometimes still faltered due to the quiet jntimity of the fntonation. In any case, this performance style was a heavy brobener for the ensemble; that it existed, proves the rich potentials available here, to which in detail - not the space is involved here. In these productions, the effes decorative element (Frank S ch ulte s) was important. In addition to the already discussed premiere (Kernmayer's "Panoptikum), there was a new work in the stand theatre -13: Billinger's „Here igen n Bassau", offered here for the first time in a new version, Iche condenses the wealth of scenes of the previously acclaimed version 3u ads= on four images. Balladeske determines everyone. - but also essentially the formal character of the work, which and it was captured in its musical mood by the Friedrich Sie m s' staging. For the chamber games, Siem's Jbsen's "Gespenster" had "emphasised, an actingally haunting performance of m=analytical difference, which illustrated the mental possibilities and possibilities of the newly created stage even more advantageously than the Raimund performance, which remains a borderline case in this pae intimate house. ab= With these six performances, the Germans ese heater in Brag have provided a proof of performance, which commands high et= echtung and earned the strong applause of the great German theater community. WolfgangSteinecke ener om" pird The Deutschlandsender transmits today, Dienstgg@20.15-dis Leipzig Bruaner-Fest the 8o. 21.15 o'clock as a recording Dom 9. Symphony by Anton Brudner.