English Translation

52-5 Behind the fleeing Ivan Skála In the chapel fear the word of my kneeling before the sound of the fierce nudity of the faintness of the brushes already And in the Babylonian language we heal our mute My word barely flees on the village His beautiful head As the word that I dive at him flees far and far, the darkness of the sleigh as the light of My confession My morning playground in the fire sweet to the feet I am no longer weird In black in which time the light head of the ring verse is pressing you with the humility which never celebrates above salt We loved the poet Continuation I. polls with audience. Friend Burian! I answer three questions just as a spectator and friend D 41. Which theatre gives the opportunity to new authors to apply, it can only be welcomed! Very often the thing is postponed only because it is a first name, and that the author does not have a name yet. The new author wants to encourage! He wants and behold- gives a clear answer'; maybe negative but sincere. In others (only in l. I would agree with Mr. Němeček. However, very often it happens that the game in the imagination of the author was different from the scene. Even general and actor's mistakes are bad, because it is the original and the error is against the author. (However, in D 41 the criticism often goes down all, from the author to the actor.) It is necessary to consult the author! On the second question I have already partially answered the question. However, it is certain that even if attempts end up losing, after all, we were presented with future dramas - maths. After all, a good and protagonist is not afraid of losing after - he knows that he will win after all! (I believe the idea of Burian's.) It is true that the games old are actually up to date.