Protektorát Čechy a Morava: právo nástroj nacistické expanze Page 157 · 157 of 289
Protectorate of Bohemia and Moravia: right tool of Nazi expansion
Anna Maria Emma Ignatia Josefa
1905 1993 CZERNIN 3
Marie Josefa Anna
1722 1772 CZERNIN 1
Karel Maria Josef
1886 1978 CZERNIN 2
Anna Maria Josefa
1928 CZERNIN 2
Karl Eugen Maria Josef
1956 CZERNIN 2
František Karel Maria Josef
1927 2002 CZERNIN 2
Stanislas Carl Maria Josef
1961 CZERNIN 2
Maximilian "Max" Josef Carl Rudolf
1969 CZERNIN 2
English Translation
157 It fell under the authority of the Reich Protector and Goebbels wanted to expand studios into the film city of European format at Barrandov. The Nazis, to whom Prag- Film belonged, started to invest considerable funds in the equipment of the studio. Prag - Film functioned as a joint-stock company, which was decided by the Berlin Ministry of Propaganda together with the Office of the Imperial Protector. Miloš Havel also worked for Czech filmmakers in the board of directors from mid 1942. It was a forced tax for what he did for Czech Protectorate film at that time. (422) The most cruel wounds The supervision of theatres was provided only by Czech protectorate censorship. In 1941 the theatre D 34 Emil F. Burian was closed. June 1942, when the National Theatre gathered at 1,800 commanding artists under the slogan 'The Promise of Czech Theatricals of the Empire'. The eventary failure would be qualified as the approval of the assassination of Heydrich... The next day, the newspaper brought in headlines and detailed photos of those who were most concerned with the accomplices.©, reminiscent of actress Vlasta Fabiánová. (423) The most cruel wounds of Czech culture were then planted by the Nazis by the assassination of a number of artists who died from the hands of executioners or were tortured in concentration camps Vladislav Vančura, Karel Poláček, Karl Hasler, Josef Čapek, Anna Letenská....