English Translation

-2- in a certain abatand meietena also the mutation in popular consciousness. The Czechoslovak Vehrdienstpolitik has contributed to this. It worked vurde against the überlieferungen in tribal and village custom (brauchtum, Tracht, Volkskuret) although with finer, paesive liethodes. In general, only the slogan "Pokrok" (port step) was used. The popular Bigenart was tolerated only by a certain amcrikaniechen show aue and in sbstrektem areas of so-called folklore. The slipping of the customs into the museal area was well tolerated and quietly promoted. Against the Czechoslcwakization e Techechization could defend on the Moravian-Slovenia side only certain, a Cruppen. Vae in doing so, was not much more than a passive behavior, an occasional backlash on the stem q this opposing attitude in the area of the costume and the folk art to be carried to the shyness. At the head of the movement was the painter Joža Uprka (the father of today's leader of the Národopiená Morava dan Uprca) and his circle of persons. Smaller geneinities of a diosic kind, such as the "Suchovaké republika" or the Gedinger circle of artists, were enticing. A sweeping political effect cannot be attributed to theaen circles, since they are intellectually and artistically individualistically read. However, with the personality of Uprka at the top, there was an ever-increasing Moravian-Slovak complex of politically oriented son- Not only was Uprka not properly promoted, but syetezatiech silently; ale the Mueterelovaken aue Moravian were exposed to the Moravian-Elowecian comenius (from Nivnits near Ung.Hradisch) and Mesaryk (Göding). On Uprka and his Velt was looked down as to a flukloristic detail. This Moravian-Slovenian complex de-iced ./.