English Translation

PRAG PARK HOTEL TERMINUS NEXT THE GERMAN OPERNHAUS / RUF: 247-25 K.D.P. ALLQPATHIE - HOMUOPATKIE K. D.P Photographer Dr. et. Ph. Mr. Zieger Karl Karl Drbohlav "LANHAUS-APOTHEKE" Theater - Press - Industrie Prag II Beethoven-Str. 13, Ecke Bredauerg. / Ruf 366-09 Advertising - Photography Rich warehouse of domestic and foreign specialties. Prague I - Volksstraße 25 HARNANALYSE / COMPONENTS Telex 32521 COSMETICAL ARTICLES / MINERALSER PERSONNEL WAGE K.D.P. K. D. P. Regi kunst Jürgen Fehlings, who entrusts the guiding spirit with taste. The ballet of the Deutsche Opernhaus offered a strong motif for the bond between plaice and fate under the direction of Köllings and with his best soloists and thereby achieved an extraordinarily strong impression (Jokel Stahl, Kurt Lenz, Rolf Arco, Lisl Spalinger). The clear structure of the drama and the swollen Höpfner, Daisy Spies, Liselotte Köster, Margarete luminous profiling of the basic idea by Feh-Rautenberg and the children's group of Ines Mesines) received blood and life through a very temperamental ending stage dance art. Leo Spies was the prudent full, often even ecstasy-passionate representation, in the conductor of the evening who was involved in the best artists of this intensely working stage: Walter Süßenguth, Horst Caspar, Claus Clausen, Paul Wegener (whose acting power seems like an eternal source) and Lucie Höflich (of which one can say the same). Lotz, Nuremberg Friedrich Prätorius' stage designs were clear and simple after an original painting, as was the performance, which, according to Heinrich George's words, celebrated Max Halbe "as the poet and dramatist of the West Prussian earth". The Deutsche Opernhaus had its first big ballet evening, which was dedicated to young musicians: H a n s Joachim Sobanski, of whom you know some good compositions for radio plays, put a Rübezahl story "Der Glasbläser" in music and proved his high skill. Sobansky masterfully mastered the counterpoint. His movement only radiates from fine melodic connections and interweavings in the Ludwig Leichner punctum contra punctu. Sobanski has beautiful melodical and rhythmic ideas as a flying Dutchman (1873), and he instructs all these beauties with delicacy and good orchestral expression. - A dance symphony by Win- Ludwig Leichner, the founder of modern stage peace Zillig, who symbolized the struggle between faith cosmeticism, as a young opera singer the vigor and temptation, also reveals a degree of planned skin care for the stage artist important musicians. According to the subject, these are recognized; his cosmetic studies for his own use enabled him to first manufacture poison-free four sets of this symphony boldly and large, almost massively up and skin-care make-up, powders and creams that were built. All modern means of expression puts Zillig in the rapidly world reputation. - His son, Dr. ing. Siegfried Dienst of his compositional art, and in the special body, today he continues this pioneering work with all help measures, he knows great effects with the help of the sheet metal medium of modern science. — Theaterliste ko to achieve. Zillig also instruments with undeniable gestures. — L. Leichner, Berlin SW 68, Schützenpflicht 31 schick und starken Gegaben. Carl Frühauf, who has put a libretto Rudolf Köllin g s "The Wedding Mirror" in music with a suite of Tchaikovsky melodies, is the third in the league.