STATE SECRETARY FOR THE RUSSIAN PROTECTOR IN THINGS AND IN MORAVA, PRAGUE, inv. 35, sig. 109-1/39

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English Translation

- 3 - which now feels, however, that their hour is over. This influence becomes dangerous because, as a result of the earlier ruling student's stage, almost every clan has an alleged intelligenceler who keeps them under pressure. As far as land policy is concerned, I would urge you to create a panic in the peasantry.Since land does not run away, some necessary intervention can be postponed, especially if there are no young German people available to take the ground under the plough. I cannot imagine that the Slovak farmers will fight the coming battle of production with particular obstinateness when the sword of the Damocles of expropriation hovers above their heads. The middle and small farmer is attached to the security of his property and is ready to make very significant political sacrifices for it. Recently, with the German general manager of the company Bata, I attended an unofficial exhibition of the Moravian artists' association, which was organized by the art school of the Bata company, before the opening. I was able to convince myself that no excesses were tolerated, that in particular the public morality had been taken very much into account, but that a considerable number of works were put on display, which had been rejected by us because of their perverse painting technique. What was good was followed by the German school, as well as French and Jewish influences. The exhibiting artists' association only receives Moravians, but they are mostly active in Prague. It is evident that the greater German blood impact in Moravia arouses artistic instincts that are rare in Bohemia. The artist's assessment of his own works of art is just too childish. They confuse cause and effect.