English Translation

Contributors: All-encompassing choirmaster Z. TOMÁŠ A. DOSTÁLOVÁ-BREJCHOVÁ (soprano) V. ZAHÁLKOVÁ(Alt) ING. V. KRAFEK (tenor) Dr. J. FLAJŠHANS (bass) Vs. P. MLEJNEK (laute)*) J. KUCHYNKA, Loretto-Regenschori KAMMERORCHESTER (with permission of the Czech Philharmonic) Conductor: METHOD VYMETAL Organ: Dr. LADISSLAUS VACHULKA Compositions from the collection and after adaptation Dr. EMIL TROLDAS Presented: Concert Directorate "Musica", Prague XVI, Matthias-Braun-Str. 54. Ruf 441-50 *) With permission of the Directorate of the Czech Philharmonic 9 In the traditional room of the Hradschiner Loretto Church, the works of Mary are performed in our homeland in the XVIII and XVIII. The church of Loretto is undoubtedly a particularly suitable place for the hymns to the Mother of God. The Cistercian Abbot Joh. Nucius is performed a four-part polyphone motetto without accompaniment, held in the Renaissance style of the Bohemian polyphony, which reached its peak in Christoph Harants of Polžic and Bezdružic. The Neuhaus organist A. Michna v. Otradovic belongs to our leading sound poets of the XVII year. His spiritual song from his collection is performed on his own words in the folk tone, published under the title »Lautna čzeska«. The score was compiled from two found parts,