English Translation

254b etc. wrote enthusiastically for. The People's Sheets (Czech Catholics), Nah-born liberation (Czech legionaries), communist printed materials and, of course, the National Sheets against. In the 13th issue of the National Theatre, some of them were quoted and in the 14th issue the administration of the national theatre printed these words: Christ was transferred from Stavovský to the Na-Natvní divadlo, where he enjoyed increasing success. And it was early to take the game with the repertoire. Why? Because it was necessary to beat the game. Despite the criticism and despite the audience. It was calculated with the effect that came: The German Theatre was frightened by a small number of repris, the outside Prague theatre also. Christ was crucified according to all the rules. The second part of my trilogy is called Hus. It is enlarged, from a basically fascinating and trilogy adapted to the Vi-Nohrad Theatre game, welcomed enthusiastically by E. Cottage and J. Vodák even before the Vinohrad theatre played it and the entire criticism after its premiere last year, the exception confirms the rule. This exception of course represents the National Liberation hand in hand with the National Sheets. Out of Prague scenes ignore him. The Hus Nation is intoxicated by the White Crow. He is already sick of it. Destiny is fate. The third part of the trilogy is Friedrich Nietzsche. The Philosoph of Power and Power in the middle of the shroud. Gegen die Gifte Gegengift! I hope that the German audience will understand him better than Hus understood the Czech. The German translation of the game is ready, the Italian will come out in the near future in Rome. The National Liberation and National Leaves after the premiere of Žižka (!) accused me of Hitlerism. Well, it's not a hitle-rism both named leaves had sniffed out. But on the right track they were, quite exceptionally, yet. My grandfather came 4