English Translation

In the last work we have to pay particular attention to splinter-frey wood and to a sharp broad saw. As a material we use 0.3 cm thick plywood and cover colors. Furthermore we choose the colours of the signs so that as much contrast as possible with the ground arises, camit the sign itself better stands out, e.g. we provide a dark door with bright shield and a white door with dark shield. The difference can be caused by a clever color selection of the frame or rather marginal. That's exactly how I labeled and provided my day rooms and designed the coats of arms for it myself. Toothcups, washing bowl, soap etc. can be brought well in harmony for a washroom sign. Also the labeling and decoration of the equipment stands and bookselen can easily be produced in this way. First of all I made the room inscription for the doors. We bare walls in the stairwell etc. made me the next worry, have in the camp smooth, white wooden doors, and these surfaces are good but also here we found a way out together. — Pictures we can use to decorate and occupy them with some handicraft work. In the war we did not have to frame the unnecessary work and for a long time we stood as before a riddle, because the necessary pinned-on material consumes. Since we simply did not like the pictures ourselves, especially pencil drawings. Suddenly we came on a postcard, framed. From the nearby forest we got nice thoughts: coat of arms! With one stroke we now knew what we were doing just grown hazelnut sticks and put them around the edge. On the fastest way we got some coats of arms in picture, and that is, the ends at the intersection points 1 to 2 cm colorful execution of old German cities in the east, survived the present. The instructions are as follows: First we place the correct- reception area Gdansk-West Prussia, and now we were able to cut our stackers to the two longitudinal sides (A) and then the two bondedness with this genuine German cultural landscape in the door signs others to the transverse sides (B) on the first woods on it. We describe to express. Gdansk, Thorn, Marienburg, Kulm and many others each on each floor the intersection points (C) and then cast these to bulwarks of the German Rittororden we placed in our versions half of the wood. After the Einpasson we add the sides basic, and it was a bright joy to put the completely designed on the paper, so that no transition can be noticed any more, and to transfer the coat of arms to the plywood by pauses. But also then the place nail. The picture is attached with cardboard behind it. Berlin, our hometown, did not stand back, and after a short time we had the stylized outlines of the signs in front of us; not always can the selected Wappon be brought to the desired format, and therefore simplified, i.e. they are stylised briefly. Now I want to explain quickly the development of such a coat of arms as you see on the picture. The Gdańsk coat of arms: Meyer A plywood plate of the neber-standing outline in the approximate format of a writing booklet forms the basis. On it Schulz is now attached a approximately 1 to 2 cm large plate with similar basic image, Kunol with it a edge, which can be reached by the smaller placed plate Herm Q 9, arises. We can also put an edge on it by simply sawing it out Hamn Kurz 2 and then glue it onto the base disk, as can be seen from the Lutt Berlin coat of arms. The actual coat of arm decoration, the bear, the castle or the crown with the crosses is finally placed after the individual parts are painted cleanly with simple cover color. Just if we saw the letters drawn on the plywood in new 717 716