English Translation

52-30 A few comments on the amateur scene of A.R. (We sometimes feel we are rarely in public; we admit it and we do not - we have to be ashamed of this fact. All we have to do is show us one game per season, which is prepared so that we can say with a clear conscience that we have fulfilled our duty to art well before playing every month is worthless or valuable, but prepared in Swedish and irresponsible. We forbid each other to say: 'This is difficult' if it were possible. Yes, we can't invite Prague's avant-garde scenes to our city, to our stage. We save and orgasm. One day we will surely realize our plan. The professional- theaters will complete our program. It will be the theatres on- your program, which they will perform with their more perfect pro-centres. How easy it would be to invite some t. v. ev. folk ope- retu. What would be a success! What would it be like for our program! What made us perform Nerud's Frogs? First of all the thought - which we factored in creating a young scene. Discovery of unknown or forgotten values. In this case, he wants to prove to me that even a model of seemingly mundane can be processed in a thought-based stage expression that would suit the psycholo-giek state of today's viewer and generally applicable principles ethical and aesthetic. And then it is Neruda himself, who in his work draws and forms from the wealth of the national spirit, but above all is human. During the work process we look for emotions that stimulate the poet's work and clothe them in a dramatic form, whose crystallisation we try to achieve through the application of the so-called means of expression, which are stoked to create similar impressions in today's viewer. However, we always take into account the fact that the update we are making on our scene is justified. So we look for what the literary design gives us and apply the idea of today's conditions. © We do not forget the theoretical work. At the same time with Blahník's © Theatre History we are discussing current di-aquery literature in our seminars, from which we draw ideas for debates.