English Translation

But viewer D 41 also sees from different directions of the poll (goddog already mostly favorable) that the current criticism does not have a firmer basis on which to condemn this new direction, which he takes note. Answers to questions: l. Sure. 2. Don't be. Youth will understand youth. My simple assessment in case of inclusion in the Program eventually correct. In full respect of Karel Tancl, the Worker. I agree, however, on the condition of the internal issue and the seriousness of the dramatic formation, because the form is not a significant sign of art (or we fall into empty aesthetic phrases). However, the games that have been played in this category could not be classified in a uniform way (Vtelenský, Šetka), for the authors have stuck on the form. Burian, just below: for the beauty of motion, the experi-ment, for new dramas, for the new problems. Ad 2. Winning, whether in material or moral sense is not a prerequisite. Instead, there is a lack of understanding resulting from the du-shear impotence. Ad 3. Perhaps these problems are too unexploded, unsolved. I hope that new Pokorní will come. If part of the guilt is not on the selection and theatrical paksi E. F. Buriana, we will be able to convince ourselves of this in a competition of subjects where we can appreciate their seriousness and psychic depth. Ad 4. Peiger. What does Mr. Peiger understand about depravity in art? What is the sanctification of amoral themes? What does morality have to do with art? Where does Peiger see moral perversion? If intellectuals are harmless flora for Mr. Peigra, it is not only interesting but paradoxical. Why Mr Peiger asks this question is not clear to me. The nation (his defi-nice in Program D 4l) is used by properly working, i.e. also in art. Art is self-effective: it is therefore not possible to build and priori any goal to which the art is intended to serve, if this is outside the art area. refers to some objective outside of its own area, it becomes so because the creative individual is employed by a certain objective problem and longs for a certain solution. Ad 12. Kolář. I agree to a certain extent. Art cannot be built and priori goal: the problem of tendency and form emerges from the creative process of individual being dependent on each other. It is strange, however, that the social problem that we are experiencing with painful intensity is not also a central problem of young playwrights. Ad 17. Švehla. If the species of today's young generation are considered by the young generation, it must be noted that similar types of laxity to work and an unserious relationship to problems occurred in all 255